instagram @sofia.noctua
About
Sofia Xenia Economou is an artist and archaeological illustrator who blends classical drawing techniques with modern digital tools to explore the enduring legacies of ancient sites. She holds an MA in Digital Direction from the Royal College of Art (RCA) and a BFA in Drawing from the University of Georgia in Athens (UGA). Her academic background is enriched by studies in architectural history and archaeological illustration, particularly focused on the ancient structures of Greece and Italy.
Sofia’s work is characterized by a deep engagement with themes of fragmentation, excavation, and reconstruction. Her approach combines traditional mediums such as charcoal and graphite with advanced digital methods like 3D scanning and sculpting. This unique intersection allows her to explore and reconstruct forms, creating a dialogue between the tactile immediacy of classical techniques and the expansive possibilities offered by digital tools.
Portrait by Ojasvani Dahiya @0jasvani
Statement
My work is a dialogue between the ancient and the contemporary, exploring timeless narratives of creation, decay, renewal, and the traces left behind. As an artist and archaeological illustrator, I merge classical drawing techniques with modern digital tools to examine ancient sites and architectural fragments as tangible connections to the past.
Through mediums like charcoal, graphite, 3D scanning, and sculpting, I delve into the tactile and conceptual qualities of my subjects. This blend allows me to engage with both the sensory immediacy of traditional drawing and the innovative possibilities of digital reconstruction. The result is a body of work that reflects my fascination with fragmentation, excavation, and the act of reconstruction—both in a physical and personal sense.
My artistic practice is a form of self-exploration, mirroring my own experiences of fragmentation and renewal. Each piece becomes an act of tracing, where I map out the voids and spaces that history and time have carved into structures—and, metaphorically, into our lives. I invite viewers to contemplate these themes, considering how the past shapes our present and how we bear the marks of time.